Printmaking
Printmaking Workshops
Join us for a printmaking workshop at our studio in Berlin! We offer linocut, monoprint and cyanotype workshops. Our mixed-media workshops provide an opportunity to combine techniques in a creative and individualized style.
Printmaking is a very process-based technique which one can enjoy each step from the first one to the last, so it not only brings you the joy of having a final product but you would certainly have a great time while creating it.
Whether you’re a complete beginner or have more experience you are welcome to join these workshops.

Linocut & Monoprint Workshop
In-Person

Linocut Workshop
In-Person (Neukölln)

Monoprint Workshop
In-Person

Monoprint Workshop for Kids
In-Person
Why should I learn Printmaking?
Printmaking offers a fresh and dynamic way to expand your artistic skills, encouraging you to see the world around you as a source of creative potential. By learning different printmaking techniques, you will explore how to use everyday objects and tools to create beautiful impressions on paper. Techniques like Linocut and Monoprint challenge you to think differently about composition. Monoprint, for instance, keeps the process exciting by encouraging experimentation with various textures and surfaces, turning ordinary items into extraordinary art tools.
With Linocut, you will dive into the fascinating balance between negative and positive space, carving out bold and striking images. Drypoint, on the other hand, allows you to achieve intricate and delicate lines, adding a refined level of detail to your work. And if you want to bring an extra layer of richness to your compositions, Chine-collé will let you add vibrant color and texture in a way that feels both playful and intentional.
Printmaking is more than just a technique; it’s a hands-on, tactile experience that brings joy through the physical act of working with different surfaces and textures. As you learn and combine these techniques, you will start to develop your own unique artistic style—one that reflects your personal creative vision.
What Are the Benefits of Printmaking?
Printmaking is a process that is both meditative and deeply satisfying. Whether you are working with Linocut, Monoprint, Drypoint, or any other method, the act of creating prints engages your hands and mind, making it an enjoyable way to express yourself artistically. Plus, many of these techniques are easy to learn and can be done with simple materials, meaning you can create hand-pulled prints right from the comfort of your own home.
Printmaking is also incredibly versatile. Whether you are looking to make one-of-a-kind prints or a limited edition series, it gives you the flexibility to experiment with different ideas and approaches. Every print is an opportunity to explore something new, making this art form perfect for anyone who loves to stay creatively engaged.Learning different printmaking techniques broadens your vision towards various means of creating art. You can experiment with different levels of control and look at your surrounding with a new approach where you can define anything as a tool to create an impression or trace on paper. Printmaking techniques such as Linocut and Monoprint enhance your sense of composition making. Monoprint can truly activate the surrounding by constantly offering new objects as great mediums to print from. With Linocut you can explore the different effects of playing with negative and positive space. Drypoint offers you the possibility to reach very fine and delicate qualities, and Chine-collé always brings a spark of color and playfulness to your print’s compositions. Printmaking can be a very tactile and playful technique that gives you the joy of handling different surfaces and textures. Through individual printmaking techniques and also by combining them you can develop your own unique visual language.
The Development and Context of Printmaking
Printmaking has always been a powerful tool for artists to push creative boundaries, explore new ideas, and express themselves through tactile, hands-on techniques. Over time, it has evolved from a method of mass production to an art form that invites deep exploration of composition, texture, and detail.
Artists like Albrecht Dürer helped establish printmaking as a fine art, using woodcuts and engravings to capture astonishingly intricate details and emotional depth. His mastery of the medium showed that printmaking was not just a method for reproduction but a unique form of artistic expression in its own right. The precision and control that Dürer demonstrated through printmaking encouraged generations of artists to explore its potential, showing how it could be used to create everything from large, impactful images to finely detailed works.
As printmaking evolved, artists continued to experiment with its ability to combine technical skill with spontaneity. Käthe Kollwitz, for example, used etching and lithography to communicate powerful emotions and social concerns, proving that printmaking could be as expressive and emotionally resonant as painting or sculpture. Her work shows how printmaking allows you to communicate raw, human experiences through line and texture.
The versatility of printmaking is one of its strongest appeals. In the 20th century, Helen Frankenthaler revolutionized the woodcut, bringing her abstract, painterly approach to the medium and proving that printmaking could blend the fluidity of painting with the structural elements of carving and layering. Her experimentation with color and form opened new possibilities for artists to think beyond traditional boundaries and embrace printmaking as a deeply expressive medium.
Nancy Spero was another artist who took printmaking in bold, new directions. Known for her political and feminist works, Spero used printmaking—particularly in her later scroll-like works—as a means of combining text and image to create powerful narratives. Her use of stencils and repeated imagery gave her work an urgent, rhythmic quality, demonstrating how printmaking could be used to critique systems of power and explore themes of gender, oppression, and resistance.
Contemporary artist Swoon (Caledonia Curry) also makes extensive use of printmaking, often combining it with street art. Swoon’s large-scale wheatpaste prints, which she places in urban environments, are known for their intricate details and deeply humanistic themes. Her work highlights the accessibility and public nature of printmaking, showing how it can be used to engage with communities outside the traditional gallery space, while still maintaining a personal and tactile quality.
For artists like Louise Bourgeois and Kiki Smith, printmaking has been a way to explore personal themes with intimacy and precision. Bourgeois used techniques like Drypoint and etching to delve into psychological landscapes, while Smith’s work often incorporates themes of the body and nature, capturing delicate details that are both thought-provoking and emotionally charged. These artists demonstrate how printmaking can become a personal language, allowing you to work with layers of meaning while playing with the tactile quality of the materials.
Printmaking is a medium that invites constant discovery. Whether you are drawn to the bold contrasts of Linocut, the free-flowing experimentation of Monoprint, the fine detail of Drypoint, or the vibrant possibilities of Chine-collé, the process remains one of exploration and creativity. By learning these techniques, you are not only joining a rich tradition but also opening the door to endless possibilities for developing your own unique artistic voice.
I took the Drawing Workshop and can highly recommend it. This is a great class for learning to observe and draw in a structured, yet playful and creative way. I was familiar with some of the ideas from Betty Edwards ‘Drawing on the Right Side of the Brain’, and I also met many new exercises and ways of approaching drawing. Mira is a gentle and supportive teacher, at the same time she is always stretching her students to try different methods and get beyond their self-imposed limits. By the end of the class, I noticed that my drawing had improved in ways that I hadn’t even realised!
I really recommend these classes to open minded people. Here you will learn basics or enhance your already established skills in a non academic way. You can always grab a book and learn about how you “should” draw lights and shadows, but this is different. This is about approaching reality, breaking through your “standards” and creating something that, sometimes surprisingly, is always definitely interesting. If you are not afraid of what can get out of your pencil when you let it go, just come to this workshop: it is the right place for you!
I wanted to learn how to draw comics or create a graphic novel. Books and classes I found and did so far, had quite a conventional approach. When I found Ali’s course, I had the feeling this is a bit different from the others. I wasn’t sure at the beginning, if it would be worth to book all 5 classes at once, but I absolutely didn’t regret that I did. Over 5 months I participated nearly every week in the online class. Ali offered a nice mix of warm up exercised, theoretical input, feedback, answering questions, sharing own experiences and several drawing exercises. She encouraged the participants to create and stick with a character. Since the course happened over a long period and I got feedback and input every week, it was possible to get into a process and develop something. I didn’t had any specific in mind, but over the time I created a wolf character, who is now part of several comics I’ve made and still make. I also liked Ali’s political awareness and openness. I didn’t have a favourite exercise, but I liked a lot, that we started with a short warm up, did another longer exercise and did a long exercise in the end of each class.
“We had such a wonderful experience at Alma’s workshop. She supported our ambitious project to produce 500 monotypes in only two days with expertise, advice and hands on help. We couldn’t have done it without her & it was so much fun too! Thank you so much for being such a great host and supporter.”
“I enjoyed the linocut workshop very much. Alma was very clear and supportive and gave me many helpful suggestions.”
The course about anatomy was great! It’s amazing how much you can learn in such a short time and G is a very precise and nice instructor. Thank you for that!
The watercolor workshop was excellent and my first online art workshop. I hadn’t worked with watercolor for many years and I was able to refresh my memory and learn new techniques each week. Each session was recorded so I was able to reinforce my learning. Each participant was able to upload their projects and get positive feedback and suggestions. The instructor is an organized, very experienced water-colorist and teacher who shares her passion for the medium. She cares about each student and their progress. The sense of community that developed was such a treat. I live in the USA and worked from my studio. There were students from four other countries. I signed up for another class immediately and hope online classes will continue to be offered.
”I absolutely loved the Printmaking workshop! Not only did we get hands-on skills, but we also explored the fascinating history and context behind the art. The references were super helpful. The vibes were amazing and Alma created such a chill and supportive environment where we all helped each other out. She guided each of us so well, and thanks to her, I was able to create the prints I had imagined.”
Subscribe with your e-mail address to receive news and updates
Thank you!
You have successfully joined our subscriber list.
Your email will be used exclusively for our Newsletter for which we use Mailerlite and you can easily unsubscribe at any time.

Monoprint Workshop
In-Person

Monoprint Workshop for Kids
In-Person



